Portrait from life

Thought it was about time that I did some more drawing from life. My model today was happily sitting, minding his own business and watching the Formula One Grand Prix on the telly...

Charcoal and white pastel, on some kind of grey, fairly lightweight paper with a little bit of tooth to it.  I found it a bit of a struggle as the charcoal lifted off at any opportunity (ie me putting my big clumsy finger in the middle of it...)

Not the greatest likeness, it has to be said, but not too bad....

Size is about 13" by 17"

Sally again

Here' the latest portrait I've been working on. It's a reference I've painted before, but I wanted to have another go. Not sure if this one is any better/more successful; I was really struggling with it for a while as I'd somehow gone a bit bright with the skin tones. Managed to drag it back a little with a couple of thin washes of blue/blue green. The likeness is better this time anyway.


Watercolour, quarter sheet, on Fabriano Artistico HP paper, a very smooth surface.

YOP 1

Over on the Painting Friends forum there is a challenge running - a Year of Painting (YOP). Each month a reference photo is supplied which we all paint and then share on or after the 20th of the month. Along with the painting, we are encouraged to share our thought processes, sketches, studies and goals, the idea being that having this kind of focus really will make you think about your painting approach.

The theme for the first month was landscapes - my absolute bugbear. And the two refs provided didn't fill me with joy either! However, I gave it some thought and went and researched some landscape painters, including Bruce Docker, one of my favourites. My first effort was very much in his style.

 I then thought I'd try something a bit more 'painterly', while trying to keep the energy of my first effort, so this is what ensued:

Both are acrylic, 8" by 12" on acrylic board.

I actually quite like both of these, but the first is my favourite. I think I'd like to be able to paint something that sits between the two styles - I love the energy and almost abstract shapes that come out of the first approach, but it looks a bit 'cartoony' for my liking. I am going to persevere with this approach for landscapes, and I might even venture outside and try a bit of plein aire painting, if I can work out a system for outdoors acrylics. Watch this space, as they say!

The visitor

Here's one I painted a couple of weeks ago, based on a photo I grabbed of a muntjac deer which visits my garden.

8 by 10", watercolour.

I enjoyed the colours in this one - the russetty tones of the deer, and the blues of the background.

March daffodils

Every now and again I like to have a go at something completely different. I've been doing a lot of portraits and life drawing over the last few months, so I thought I'd get the acrylics out and paint some flowers from life.

Bought these from the market a few days ago - they were all still tight buds, but now they're fully open. The thing I love about acrylics is the intensity of the colours - there's nothing delicate about these daffodils ;-)

Acrylic on canvas board, 8 by 12", painted from life (with quite a lot of artistic licence!) Click the image to see the (much nicer) bigger version.

Pastel portrait

Here's a portrait done with pastel pencils, for the portrait group. This is a very close crop of the original photo reference, from Redfloor at Stock.xchng

A4 pastel paper.


I'm playing with a couple of other crops of the ref, just to see how different crops can produce different moods etc.

Life drawing

A couple more from the life drawing class

 10 minutes, charcoal on newsprint

 

 15 minutes, charcoal on cartridge paper

And 20 minutes, pastel on cartridge paper.















This might be the last of the life drawing for now - the class will only run if there are enough students signed up, and it wasn't looking good the other night...